Please use this identifier to cite or link to this item: https://repository.seku.ac.ke/handle/123456789/4876
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dc.contributor.authorYenjela, Wafula-
dc.date.accessioned2019-08-27T12:57:38Z-
dc.date.available2019-08-27T12:57:38Z-
dc.date.issued2019-08-
dc.identifier.citationJournal of the African Literature Association, 13:2, 231-254en_US
dc.identifier.issn2167-4736-
dc.identifier.issn2167-4744-
dc.identifier.urihttps://www.tandfonline.com/doi/pdf/10.1080/21674736.2019.1641646?needAccess=true-
dc.identifier.urihttp://repository.seku.ac.ke/handle/123456789/4876-
dc.descriptionDOI: 10.1080/21674736.2019.1641646en_US
dc.description.abstractThis article argues that historical issues that shaped racial relations in Kenya continue to undermine mixed-raceness in social imaginaries. It links the Kenyan public’s stigmatisation of mixed-race couples and mixed-race individuals to colonial histories of oppression and dispossession of subordinated races. The subconscious colonial memories ventilate through anxieties against mixed raceness in the media, music, and novelistic representations. In the representations, one notices mixed persons’ struggles to belong in a society that links them to oppressors. The article further nuances representations that exhibit delusions of racial purity of communities traceable to ‘distant’ mixed raceness and their ironical contempt of those whose mixed raceness is traceable to a recent past. Thus, memories of racial injustices and imbalances can have lasting effects on mixed raceness whereby anxieties againen_US
dc.language.isoenen_US
dc.subjectMixed racenessen_US
dc.subjectracial injusticesen_US
dc.subjectracial purityen_US
dc.titleAnxieties of mixed-raceness in Kenya: perspectives from music, media, and novelistic representationsen_US
dc.typeArticleen_US
Appears in Collections:School of Humanities and Social Sciences (JA)

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