Anxieties of mixed-raceness in Kenya: perspectives from music, media, and novelistic representations

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dc.contributor.author Yenjela, Wafula
dc.date.accessioned 2019-08-27T12:57:38Z
dc.date.available 2019-08-27T12:57:38Z
dc.date.issued 2019-08
dc.identifier.citation Journal of the African Literature Association, 13:2, 231-254 en_US
dc.identifier.issn 2167-4736
dc.identifier.issn 2167-4744
dc.identifier.uri https://www.tandfonline.com/doi/pdf/10.1080/21674736.2019.1641646?needAccess=true
dc.identifier.uri http://repository.seku.ac.ke/handle/123456789/4876
dc.description DOI: 10.1080/21674736.2019.1641646 en_US
dc.description.abstract This article argues that historical issues that shaped racial relations in Kenya continue to undermine mixed-raceness in social imaginaries. It links the Kenyan public’s stigmatisation of mixed-race couples and mixed-race individuals to colonial histories of oppression and dispossession of subordinated races. The subconscious colonial memories ventilate through anxieties against mixed raceness in the media, music, and novelistic representations. In the representations, one notices mixed persons’ struggles to belong in a society that links them to oppressors. The article further nuances representations that exhibit delusions of racial purity of communities traceable to ‘distant’ mixed raceness and their ironical contempt of those whose mixed raceness is traceable to a recent past. Thus, memories of racial injustices and imbalances can have lasting effects on mixed raceness whereby anxieties again en_US
dc.language.iso en en_US
dc.subject Mixed raceness en_US
dc.subject racial injustices en_US
dc.subject racial purity en_US
dc.title Anxieties of mixed-raceness in Kenya: perspectives from music, media, and novelistic representations en_US
dc.type Article en_US


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